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Symbolically, disco-music returned to Africa with Discolypso (1979), an electronic calypso-tinged dance sung by Sierra Leone’s Mack Bunny (Cecil MacCormack), and later with Rikiatou (1982) and African Typic Collection (1983), dancefloor makossa numbers by Cameroon’s Sam Fan Thomas.

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When only three people showed in the audience for a scheduled gig, the musicians held a bull session, and when a substitute pianist named Herbie Hancock performed a new tune of his entitled “Watermelon Man,” all of the band members gradually joined in. Santamaria, for his part, brought his own Afro-Latin rhythmic flourishes to Hancock’s design.

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