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Olatunji recorded with many other prominent musicians, including Cannonball Adderley (on his African Waltz album), Horace Silver, Quincy Jones, Pee Wee Ellis, Stevie Wonder, Randy Weston, and with Max Roach and Abbey Lincoln on the pivotal Freedom Now Suite aka We Insist, and with Grateful Dead member Mickey Hart on his Grammy winning Planet Drum projects.
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In 1957, Monk left Five Spots to join Miles Sextet, which was disbanded. Together they later formed Spirits Rejoice, a jazz-fusion band. He learnt to play bass guitar, and soon got his first professional musical job as a member of the group the Jazz Revellers. It is almost impossible to find a fitting description for a musician such as Manu Dibango who has made such an enormous contribution to African music as a whole.
African psychedelic-rock was particularly significant in Zambia, whose Hendrix-influenced “Zam-rock” scene produced: Chrissy Zebby Tembo’s My Ancestors (1974), Witch’s Introduction (1973) and Lazy Bones (1975), Musi-Tunya’s Wings Of Africa (1975), fronted by guitarist Rikki Ililonga, Amanaz’s Africa (1975), Ngozi Family’s 45,000 Volts (1977), led by guitarist Paul “Ngozi” Nyirongo and working mostly as Tembo’s backing band, plus Nigeria’s Tirogo Float (1977).
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